Moulin Rouge Analysis

Moulin Rouge Analysis Nowadays we live in democratic society and all members take action in shaping our culture. From all forms of mass communication, from all types of art the cinema occupies in society unique position. Many critics take the cinema to hot facilities of mass-media, i.e. to such, which fully seize spectator perception and compel a spectator to be identified with the heroes of film, and sometimes and with a movie camera. Specific of cinema spectacle is in its comprehensive affecting deep layers of consciousness, in a breach to archetypes of collective unconscious. An audience that gather together even today submerge in this world of dreams, appellant to bottomless and ancient archaic character of our consciousness, affecting all strings of the soul and simultaneously reflecting the most topical problems of contemporaneity. Id like to analyze one musical that has a title Moulin Rouge and I like it very much. Getting through the fashionable salons of Paris, through the fairs of beginning of a ge, finding a sound and color, surviving the competition of television and video, films continue to unite people, giving oneself up the magic twinkling of illusion, able to unite emotions, passions, expectations and dreams of millions together. Not a single art passes with such authenticity exactly because of that is not a locomotive picture, copying reality, and shows by itself the product of collective creation and consumption, our everyday life, our habits and consuetudes, doing them maximally accessible to the greatest masses. I want to say that it is too easy to be critical of things we dislike. Additionally, we tend to be cynical about things we dislike, rather than critical and for this my assignment, I will be required to employ the critical process to something that I like, of my favorite film or it will be better to say to my favorite musical. First of all it is necessary to pay our attention on the next information that the nature of the cinema socializes people, unites them and it has a place not only because it is the synthesis of all other arts (and in this sense has one analogy temple action only) but also that is why, that the cinema is industry which must be covered a cost, functioning like the kind of independent thing in itself, but not burdening society financial dependence, compensated submissive execution of social order. Only the cinema is able to engulf practically all spheres of public consciousness, however much it is a sphere of mythology, i.e. cognition of the world by immersion in the difficult structures of archetypes and phenomena, by their emotional research from within. Putting in order and taking away individual and social myths in the sphere of consciousness, the cinema reconsiders them in a spirit every new decade, for history of cinematographic being art by a whole epoch. Intruding in a daily o ccurrence, the glimmered ray of projector compels us to comprehend and experience our life as nothing much more valuable and considerable, than that, how we perceived it. And herein is a true of the cinema, because it does not substitute by itself reality, but mythologized private and public life, giving every action and motion of the soul of man unique and epic scope. Much more unbelievable things happen in life, there are coincidences and chances, far more surprising, than on the screen, but the cinema offers to us problems, characters and signs in more bare and dramatized kind. It is a way of an old proverb appearance: As in the cinema! I want to make my first step of critical analysis with musical description. Moulin Rouge is a romantic musical film produced by Baz Luhrmann in 2001. In accordance with Red Curtain Cinema principles, the film is based on the Orpheah myth and also on Guiseppe Verdis opera La Traviata. It tells us amazing love story of a young English poet Christian (Ewan McGregor) and the star of Moulin Rouge, cabaret actress and courtesan Satine (Nicole Kidman). Chriastian fall in love with this girl and as a result of it we receive wonderful musical that take away our feelings and emotions. The film won two Oscars (for direction and costume design) and was really nominated on 8 of them. In Sydney, Australia it was filmed at Fox Studios. We should mark that it is the first musical in 22 years that was nominated for the best picture. Analyzing this musical we can say that the first half of film is a continuous furious show, dances, cancan, songs, phantasmagoria, shocking sceneries, humor and slapstick. Dynamics of development of events is quite shocking. You do not have time to regain consciousness from one most magnificent shot, as it is replaced other, yet more magnificent, chic and impressive. But from some certain moment, when all protagonists of this theatrical are certain, it loses all dynamism and grows into viscous and a few snotty melodrama. Dynamism at once is lost, the masculine half of hall begins frankly to be sad and reaches mobile telephones, to read the SMS-massages got in times of cancan, however nice ladiesà ¢Ã¢â€š ¬Ã‚ ¦ Nice ladies look at this simple history not attentively, nervously pinning handkerchiefs against the charming noses. It is love story for them. An old love story! Old words of love! However, I do not have claims against that bright, magnificent and a very dynamic action suddenl y whipped off steam and rolled at a speed of light carriage, spreading wheels on an asphalt old as the world story about a love triangle and about that, how harmful and it is wrong to fall in love in courtesans. In fact, it is laws of genre! It is a rule of construction of such films! Show, whirlwind, slapstick, whereupon sudden viscous melodrama. Describing and summarizing actions of this musical I want to say that personally for me the first half of film atoned everything. Because it is the real show. Because it is perfectly taken off and looks at oneself simply splendidly. Moulin Rouge was filmed without the observance of some age-old canons and traditions, giving vent unrestrained flight of fantasy and allowing artists, computer designers, decorators and ballet-masters to create something new and interesting. A quite phantasmagoric spectacle went out from their hands, describing it with more details and bright images. I like this musical Moulin Rouge very much and I want to emphasize that separate brilliant idea was to take plenty of modern hits and rehash them for this film. Thus, part of hits interlaced in magnificent pot-pourri, and some are carried out as independent works, but with quite by other accent and with quite by other serve. As you understand, to use for this film immortal Show must go on is a very risky step, taking into account a few specific orientation of film and awe which tests most audience to immortal and great singer. But in spite of the fact that in Moulin Rouge this song performance far from it due fervor, it sounds completely another faint notes and overflows span-new paints. If to be honest and critical in this film analyzing part of audience was disappointed with this film. Almost on every session a few persons (however, quite two-bit) leave cinema hall. Probably, they expected a not musical, but melodrama and they did not simply have patience a bit to wait the same tears and sobbingà ¢Ã¢â€š ¬Ã‚ ¦ De autre part, somehow foolishly from a film with the name Moulin Rouge not to wait songs and dances. And they there are fully enough. Abort from film a love-story and it will turn out into a few quite shocking video clips. Especially as Luhrmann, as that is required by modern realities, feels free for surveys to use the clips manner of the endless changing of personnels and plans. But it does not irritate, because it done enough fairly. This musical forced me to think about interesting eternal questions. Is it correct to behave to the cinema spectacle as to the next type of public entertainments? It depends on the term that is understood under entertainment. As major socially-psychological force, the cinema releases a spectator from frustrations and tension of the last day, from an existential melancholy and numerous phobias, from sense of guilt or vulnerability. It is not an escape from problems, but clearing of the soul and returning of individual society  «resting », and sometimes and finding the new understanding of own life et al. Complexes and affects  «hatch » from the psyche of audience the masses by different cinema genres. The film of horrors is cleared by a subconsciousness from fear of death or illness, a comedy takes off a conflict between society and individual; fervor of detective not only in romanticism of city but also in proclamation of right for every human personality on protecting from any encroachments from outside. On consisting and development of such cinema genres of country it is possible effectively to define the degree of democracy of every society. Thus, taking into account all above mentioned and my personal emotion it is possible to conclude that it is really good musical, with interesting easy plot and emotional its presentation. I can recommend this film to all my friends, but it is necessary to watch it on a large screen, because exactly big screen allows spectators to receive all necessary impressions from a brilliant show. I would recommend men to go away from the half of film, from that moment, when Kidman begins continuously to die, can however, because Like and virgin is carried out in the second half of film, and Roxanne and quite in the end. But if you will not look these shocking numbers, it means you did not see this film. And it needs to be looked. It is satisfied unusually and very amusing. In my opinion you should remember that it is not a film but musical and wait wonderful show but not great films plot.

Plath’s Daddy Essay: Father and Husband as Vampires -- Plath Daddy Ess

Father and Husband as Vampires in Plath’s Daddy   Ã‚   The poem "Daddy" by Sylvia Plath concludes with the symbolic scene of the speaker killing her vampire father.   On an obvious level this represents Plath's struggle to deal with the haunting influence of her own father who died when she was a little girl.   However, as Mary G. DeJong points out, "Now that Plath's work is better known, ‘Daddy' is generally recognized as more than a confession of her personal feelings towards her father" (34-35).   In the context of the poem the scene's symbolism becomes ambiguous because mixed in with descriptions of the poet's father are clear references to her husband, who left her for another woman as "Daddy" was being written.   The problem for the reader is to figure out what Plath is saying about the connection between the figures of father and husband by tying them together in her poem.   Ã‚  Ã‚  Ã‚   A clue lies in the final image she uses, the vampire.   In today's movies and books vampires are portrayed as humans who have gained immortality and power in exchange for the need for blood and avoidance of sunlight and crosses.   However, Plath wrote her poem in 1962, and since then our culture's image of the vampire has changed drastically.   Historically, people who were transformed into vampires were no longer the same human beings.   Instead, they became monsters who retained only the physical appearance of their former selves.   Our interpretation of the poem is affected if we assume that when Plath wrote about a vampire she had in mind the older conception of a monster which took over the body of a now dead human.   With this image in mind we will tend to look for ways the duality of father and husband in the poem correspond to the vampire's dual i... ...the memory of her father's equally painful though unintentional abandonment.   Despite the mixing of father and husband in the antagonist of "Daddy" it is obvious which man Sylvia Plath is addressing with the poem's last line, written during the breakup of her marriage and three months before her suicide: "Daddy, daddy, you bastard, I'm through" (80). Works Cited Cam, Heather.   " ‘Daddy': Sylvia Plath's Debt to Anne Sexton."   American Literature 59   (1987): 429-32. DeJong, Mary G.   "Sylvia Plath and Sheila Ballantyne's Imaginary Crimes."   Studies in   American Fiction 16 (1988): 27-38. Ramazani, Jahan. " ‘Daddy I Have Had to Kill You': Plath, Rage, and the Modern Elegy."  Ã‚   Publications of the Modern Language Association of America 108 (1993): 1142-56. Srivastava, K.G.   "Plath's Daddy."   The Explicator 50 (1992): 126-28.               

Relapse Prevention Plan Essay

Jed, a 38 – year old welder, enrolled in the treatment center after his arrest resulting from drunken driving (DUI/DWI) (National Institute on Alcohol Abuse and Alcoholism, n.d.). His lawyer has advised him to stop drinking and get treatment until his trial date, which is in approximate two months. Jed does not believe that he will serve any jail time, but feels that treatment could help strengthen his court case (National Institute on Alcohol Abuse and Alcoholism, n.d.). In this paper, I will create a relapse prevention plan that will aid Jed as he enters into his treatment program. This paper will also show ways to identify the warning signs of relapse. A relapse begins long before the person actually picks up a drink or drug (Substance Abuse and Mental Health Services Administration (SAMHSA)-Department of Health and Human Services, 2007). Most proficient gradual warning signs that revive denial and result into intense pain calls for self-medication with alcohol or other drugs or both which is basically a noble idea. It is not a conscious task. The warning signs in this case are known to develop spontaneously and instinctively. Owing to that fact that not many recovering people are always taught on the best ways to recognize and mange relapse warning signs, they are not able to identify them up to the point when they start feeling unbearable pain. Step 1: Stabilization Relapse prevention planning will most probably not work if the relapser is not sober and in control of himself (Addiction in women, 2010). Detoxification and sobriety are very vital for the relapse prevention plan to work successfully. Having in mind that most people who relapse are toxic, even if they are sober, it will still be very difficult for them to think clearly remember things and manage their emotions. The symptoms would worsen in any case the person gets isolated from the society or when he undergoes stress. It is advisable to move slowly and focus on the basics and in this case, the question here should be â€Å"What is it that you need to do to avoid drinking today?† Step 2: Assessment This step aims at identifying the progressive pattern of problems that did result into the past relapses and then find solutions to the pain resulting from such problems. This would be accompanied by the reconstruction of the current problems, the alcohol and substance use history, life history and retrieval relapse history. Through the reconstruction and presentation of problems, the now and here issues that stand to cause immediate threat to sobriety can be pinpointed and crisis plans developed to resolve such issues. Step 3: Relapse Education Relapsers have to be familiar with the relapse process and the best ways to manage it. Involving the family and other sponsors is a great idea. The education should strive to emphasize four main messages: First, relapse is an ordinary and a natural process in the recovery out of the chemical dependence. One should not be ashamed of it like in the case of Jed who â€Å"gets jumpy† when he tries to stay away from drinking, feeling â€Å"closed in or like he is suffocating†. He also cannot imagine how to explain to his buddies why he is not joining them in the bars. Secondly, people are not all of a sudden taken drunk. There are gradual warning sign patterns that indicate they are slowly cropping in again. Such signs can only be recognized when one is sober. Thirdly, after they are identified, the recovering individuals can get to learn how to manage such relapse warning signs when sober. And the last one is that hope is real. Jed once attended a few AA meetings, but did not feel that AA was helpful: â€Å"It was listening to a lot of guys whining†¦.† This should and will most likely change if he attends a lecture that describes the typical warning signs that precede relapse to chemical use. Step 4: Warning Sign Identification Relapsers should be able to determine the problems that resulted into relapse. The main objective here is to list personal warning signs that made them move from a state of stable recovery all the way back to chemical  use. There is hardly ever just a single warning sign. Ordinarily a series of warning signs develop one after the other to create relapse. The cumulative effect is what wears them down. The ultimate warning sign is basically last blow. Regrettably most relapsers think it is the last warning sign that caused it all. For this reason, they tend to assume the early and more delicate warning signs that leads to the final disaster. Step 5: Follow-up The warning signs are unbound to change with progress in recovery (Field, Caetano, Harris, Frankowski & Roudsari, 2009). Each of the stages involved in the recovery process has distinctive warning signs. The ability to deal with the warning signs of one stage of recovery does not warranty that one will know how to manage the warning signs of the next stage. The relapse prevention plan therefore has to be updated more often which should be; monthly for the first three months, quarterly for the first two years, and annually thereafter. Call now for immediate relapse prevention help. References Addiction in women., (2010). Harvard Mental Health Letter, 26(7), 1–3. Field, C. A., Caetano, R., Harris, T. R., Frankowski, R., and Roudsari, B., (2009). Ethnic differences in drinking outcomes following a brief alcohol intervention in the trauma care setting. Society for the Study of Addiction, 105, 62–73. National Institute on Alcohol Abuse and Alcoholism. (n.d.). Case examples. Retrieved March 28, 2010, from http://pubs.niaaa.nih.gov/publications/Social/Teaching%20Case%20Examples/Case%20Examples.html Substance Abuse and Mental Health Services Administration (SAMHSA)-Department of Health and Human Services, (2007). Retrieved October 31, 2010 from http://www.oas.samhsa.gov/nsduh/2k7nsduh/2k7results.cfm#2.7 Category: Essay Alcoholic Anonymous. (2014). About AA meetings [Newsgroup comment]. Retrieved from http://www.aa.org.au/new-to-aa/about-aa-meetings.php Capuzzi, D., & Stauffer, M. D. (2012). Foundations of addiction counseling (2nd ed.). http://dx.doi.org/1009-0001-1763-00001764 National Institute on Alcohol

The Power of Mission and Vision … What’s Yours

The Power of Mission and Vision †¦ What’s Yours Why Have a Mission and Vision Anyway? And What Does It All Mean? Creating a mission and vision statement can be a formidable task. Large companies spend weeks and months on the process. When used to full advantage, a mission and vision truly underlie a company’s business model and become what employees and clients/customers align to. If someone is not excited about the company’s mission and vision, that person is not a good fit for the organization. ActionCOACH, my business coaching company, defines vision as strategic intent- why the entity exists; it is a statement against which all decisions can be measured. Mission, by comparison, is a practical description of how the ultimate vision will be achieved. Of course you can have a mission and vision whether you are a job seeker or a business owner. As you read the story of The Essay Expert’s mission and vision, I invite you to consider what your mission and vision would be. If you create one you like, please share it in the comments. The Essay Expert’s Mission and Vision Journey The Essay Expert did not have a mission statement for probably its first year. When I created one, it sounded right and it stuck (it also was a relatively easy process given that I was the only person who had to approve of it!). Here it is: The Essay Expert works intensively and personally with job seekers, college applicants and companies, to create powerfully written job search and marketing content. Our clients achieve unprecedented success in moving their careers, education and businesses to the next level. That mission statement does state how my company will achieve its ultimate goal. But without a vision statement, that ultimate goal was not defined. Then, last year in a business coaching meeting, Susan Thomson encouraged me to craft a vision statement to complement the mission. The vision I created was this: To empower people and companies to be confident and unstoppable in reaching their goals. This seemed like a statement with a higher purpose and goal that I believe in. And I have been using it. Each time I have considered bringing in a new writer, I have read this mission to them and ask for their thoughts on it, introducing them to the culture of my company. Inevitably, the writers I have chosen for my team have been very committed to contributing to the success of The Essay Expert’s clients. They have been truly aligned with my mission and vision, and I have never had a problem with a writer not being fully committed to The Essay Expert’s clients. Be Careful What You Vision For†¦ However, I have also encountered some issues when I have demanded more time and corrections from my writers than some other resume writing companies they have worked with. Why was this happening? Why were my writers feeling frustrated with my commitment to excellence? Two weeks ago, I discovered through a brief coaching session with Dr. Bob Wright that my company’s mission and vision were part of the problem. They were all about our company’s clients, and not about our team! This was a blind spot for me up until Bob pointed it out, and it was quite a revelation. I now realize that my company’s mission and vision must be not just about the work we do, but about who we are as a company and as human beings working together. To that end, my new vision and mission are â€Å"in progress† and will include something like this: We bring out the best in our clients and each other as a team of writers. We are committed to excellence. We strive to write more effectively, communicate more effectively, and showcase the brilliance in ourselves and in everyone we touch. Can you imagine a company where everyone is aligned with this philosophy? Where we are all working together toward excellence, becoming our best selves while supporting our clients to do the same? That’s a company I would want to work for! What is your mission and vision for yourself or your company? Please share below.

How to Become President of the United States

How to Become President of the United States With the primary election coming to an end, only two candidates (if you’re not counting the independent candidates) will remain. While that seems simple enough, the path to becoming the President of the United States can be rather confusing and difficult to understand. After all, our system involves us voting for who we want as our leader, but we technically vote for representatives who then vote for the person we want as our leader, in which the representatives don’t always abide by the wishes of the voter. Make sense? No? Yeah, it’s pretty  convoluted but to make things easier to digest, we’ve compiled a very short and basic infographic on what it takes to become the President of the United States.

Adult Communication Essay Example | Topics and Well Written Essays - 3250 words

Adult Communication - Essay Example m the emphasis is on helping the individual members of the team to learn their potential for performance and through that learning maximize the performance of the team (Whitmore 2003). Managing in simple terms is the process of getting things done by individuals through planning, organizing, coordinating, directing and controlling their activities. Thus managing a team involves using the five functions of planning, organizing, coordinating, directing and controlling the activities of the team members towards the objectives of the team (Managing and Leading). The difference between coaching becomes evident from their definitions and is lies essentially in their approach. Coaching is people oriented in that it is concerned with the development of the individuals. Managing is task oriented in that the emphasis is on the task to be achieved. The individuals in the team are the means to achieving the task. This analogy gives provides clarity in the difference between coaching a team and managing a team. A given area of land is to be invested with oak saplings. Oak saplings have a unique feature in that there is a single tap root that extends, as the sapling develops. In nursery saplings the tap root tends to be curled up into a ball, because of the restrictive environment for growth. Managing the investing of the land with oak saplings would involve the transfer of the saplings into the allotted number of pits in as quick and efficient a manner and ensuring the required fertiliser and moisture is provided for growth. This approach is due to the task oriented approach in managing a team. In the coaching approach the curled up taproot would be first uncurled and in the replanting process care would be taken to ensure that the fragile taproot is extended deep into the ground without damaging it, as this would ensure proper development of the oak sapling into a tree. The necessary moistur e would then be provided. Coaching is oriented towards the development of the

UK Tax System Assignment Example | Topics and Well Written Essays - 3250 words

UK Tax System - Assignment Example Profit margins are small: Higher expenditure and lower selling prices will lead to a lesser bottom-line and so lower dividend payments. This problem can be overcome by working efficiently and effectively to generate high sales and stand up competitively by not lowering the prices of goods. Late payments from customers will seriously influence the cash flow: In this case, credit terms should be discussed beforehand with customers and be kept strict so as to make inflows earliest. Key supplier (s) will gradually be dissatisfied: If payment problems to suppliers arise due to the expansion or new orders being taken, suppliers will be alarmed and dissatisfied with the company. To cure this problem, the company should beforehand discuss the situation with the suppliers and the credit terms should be precisely conveyed so as to prevent future problems. (b) There are a number of short-term finances available to the company to finance its proposed expansion; two of them are discussed as follo ws: Bank Loan, and Bank Overdraft Bank Loan: In the case of this company, bank loan pertains to the short-term period usually equal to or less than a year. The bank according to the credit rating lends the company a certain amount of loan needed and on an interest rate negotiated. Strengths: Amount will be received on one-time basis and the payment will be done in monthly, quarterly or semi annually installments Cost of borrowing is lower than other means such as Bank Overdraft Interest rates are low Reliability and security is always there in terms of getting the money from the bank on time and for a certain period of time contracted upon with the bank Weaknesses: The loan will be secured against the company’s assets The riskier the business is, the higher the interest rate the bank will charge to cover up its risk Arrangement fees, as well as repayment fees, will have to be paid In case of early repayment of loan, an extra charge will have to be paid Bank Overdraft: It is a kind of loan arrangement under which a bank extends credit allotted to a company up to a maximum amount called the overdraft limit against which a customer or company who has current or checking account with the bank can write checks or make withdrawals (Business Dictionary 2011). Strengths: Appropriate for short-term financing Not secured against any asset of the company so the process of obtaining the loan Is expedited Only charged for the amount overdrawn from the bank account and also pertaining only to the period of time the overdraft facility had been used by the company Weaknesses: The bank overdraft amount has to be paid on demand of the bank. This puts the company at a great risk in the case when the bank decides to request the money back at an inconvenient time for the business High-interest rate is charged (c) Capital Gearing Ratio This ratio tells us that how much risk the company is in terms of financial risk and it is used by companies as well as its shareholders to a nalyze the company’s capital structure and leverage (Accounting for Management 2011).